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Color conversion, color correction
| Light Glossary |
Matching the daylight or tungsten balance of the film and lights through filtration or, with video, white balance. color can also be corrected during printing. tip: neutralizing "off-color" sources, such as dusk, is a technical and aesthetic call - not necessarily appropriate. see: style and consistency of lighting.
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Filtration, французский
Neutralizing, английский
The treatment of concrete, cement, or plaster with solutions of weak acid salts to neutralize the lime before painting.
Appropriate, английский
Подходящий; соответствующий
Consistency, английский
- The degree to which a semisolid material such as grease resists deformation. (see astm designation d 217.) sometimes used qualitatively to denote viscosity of liquids.
- That property of a liquid adhesive by virtue of which it tends to resist deformation
- Последовательность
- The ability of a transaction to change a system from one consistent state to another consistent state.
- The desirable property of an estimator whereby the calculated value of a parameter converges upon the true value as the sample size increases.
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Sculptural lighting, английский
Modeling with lights to emphasize planes and texture. consider using the term to describe a subject/background relationship in which the bright edge of the subject (key side) stands out against a dark part of the background, and the shadow side of the subject separates from a light area of the background. the result is about as close as 2d can get to looking like 3d.
Degradation, image quality loss, английский
Loss of image quality or definition for any number of reasons including intentional ones. quote: i don`t like forced development and flashing. because i do like a fairly rich negative with good blacks, i`m not keen on the strong use of fog filters, although on occasion i use them. i don`t like the effect they produce. [also] you`re going to have to make a dupe negative. so you`re into a degradation with the dupe. then any opticals . . . give you further degradation. then . . . the projector is not so good; it hasn`t got a very sharp lens or there`s not enough light. at every stage along the line, the picture`s going to deteriorate . . . so i`m very reluctant to have a degraded negative in the first instance. i think you`re cheating your audience. they`ve got a right to see what`s on the screen. - billy williams [ml].
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